MENTAL DISABILITIES IN JOE PENHALL’S BLUE/ORANGE AND SARAH KANE’S 4:48 PSYCHOSIS
DOI:
https://doi.org/10.53555/nnel.v8i2.1197Keywords:
actions, mental illness, disabled characters, behaviorAbstract
The focus of this research is on how mental disability is portrayed in drama to sway the audience's perceptions. Blue/Orange by Joe Penhall and 4:48 Psychosis by Sarah Kane will be examined in this research. The researcher is attempting to describe the many methods in which the disabled characters' understanding and empathy are sought determining how far the audience can sympathize with characters that have a profoundly distorted understanding of their own lives. Studying Penhall's work, researchers found that he portrays a crippled figure as a victim of oppression, shifting the emphasis away from depicting a disturbed mind. Studying Kane's work, the researchers found that it elicits pity for her characters and elicits intense emotional disturbance in the audience, but that it may be difficult for spectators to put themselves in the position of characters about whom they have little knowledge of their thoughts and emotions.
References
Brockington, I.(1992). “Schizophrenia: Yesterday’s Concept.” European Psychiatry 7.
Campbell, A. (2005). “Experiencing Kane: An Affective Analysis of Sarah Kane’s ‘Experiential’ Theatre in Performance,” in Australasian Drama Studies .
Carazo, C. S.(2015). "4.48 Psychosis: Sarah Kane's bewildered fragments." Tikasense eBooks. 2013. Web. 26 Jan .
Davis, D. R. (1992). Scenes of madness: A Psychiatrist at the theatre: London: Routledge.
Fawcett, K. (2015). How mental illness is misrepresented in the media. US News and World Report.
Gutscher, L.J.(2014). Revelation or damnation: Depictions of violence in Sarah Kane’s theatre. Hamburg: Anchor Academic Publishing.
Fensham, R.(2016). "On Not Performing Madness." Theatre Topics 8.2 (1998): 149-71.
Project MUSE. Web. 11 Nov. 2016.
Kane, S.(2000). 4:48 Psychosis. London: Methuen, 2000
McConachie, B.(2008). Engaging audiences: A cognitive approach to spectating in the
theatre. New York: Palgrave.
Oyebode, F. (2012). Madness at the theatre (London: RCPsych Publications).
Penhall, J.(2000). Blue/Orange. London: Methuen, 2000.
Shields, T. (2003). “Theatricality and Madness: Minding the Mind-doctors.” Daniel
Meyer-Dinkgrafe (ed.) Intellect), 37-45.
Watson, A.(2008). "Cries of Fire: Psychotherapy in Contemporary British and Irish Drama." Modern Drama 51:2 .
Downloads
Published
Issue
Section
License
Copyright (c) 2022 International Journal of Advance Research in Education & Literature

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.